International Journal Of Arts Management

(IJAM)

 

2021

VOL 23

ISSUE 2

  • Rosin, U., & Gombault, A.
    Venice in Crisis: The Brutal Marker of Covid-19.
    International Journal of Arts Management, 23(2), 75-88.

  • Salvador, E., & Benghozi, P. J.
    The Digital Strategies of Publishing Houses: A Matter of Book Content?
    International Journal of Arts Management, 23(2), 56-74.

  • Lee, H., Kim, Y., & Ranucci, R.
    Stability and Compatibility in the Receptivity of US Arts and Culture Organizations to Corporate Support.
    International Journal of Arts Management, 23(2), 43-55.

  • Gallagher, B. K.
    Death and Life: The Promise and Problems of the Arts in Rural Communities.
    International Journal of Arts Management, 23(2),

  • Cartwright, P. A., Küssner, M. B., & Williamon, A.
    Key Performance Dimensions of the “Well-Tempered Musician”: A Framework for Artist Management.
    International Journal of Arts Management, 23(2), 18–29.

  • Hausmann, A., & Stegmann, A.
    Losing the Museum Leadership Gap: Theoretical Framework and Empirical Investigation of Museum Leader Attributes.
    International Journal of Arts Management, 23(2), 4–17.

 

ISSUE 3

  • Derbaix, M.
    Rock School Barbey: Music Transmission Through Informal Learning and Community of Practice.
    International Journal of Arts Management, 23(3), 68-77.

  • Shin, H.
    Cultural Representation, Identity and Socialization: Exploring Critical Approaches to Providing Arts Education for North Korean Refugee Youth.
    International Journal of Arts Management, 23(3).

  • Josion-Portail, M.
    Intergenerational Transmission of Culinary Heritage: An Object-Centred Approach.
    International Journal of Arts Management, 23(3).

  • De La Ville, V. I., Badulescu, C., & Delestage, C. A.
    Welcoming Families to the Museum: Reconsidering Forms of Cultural Mediation for Parent/Child Autonomous Visits.
    International Journal of Arts Management, 23(3).

  • Borrione, P., Friel, M., & Segre, G.
    "Kids, Today We're Going to the Museum!" Discriminating Factors in Museum Visiting for Families With Children in Italy.
    International Journal of Arts Management, 23(3), 21-31.

  • Courchesne, A., d'Astous, A., & Colbert, F.
    Socialization of Cultural Consumers in the Family: A Synthesis of 50 Years of Marketing Research.
    International Journal of Arts Management, 23(3), 10-20.

  • Derbaix, M., & de La Ville, V. I. .
    Socialization Processes and Intergenerational Influences in the Transmission of Cultural Consumption Practices.
    International Journal of Arts Management, 23(3), 4-9.

 

2020

VOL 23

ISSUE 1

  • Xinyi Wang, Colbert, F., & Legoux, R.
    From Niche Interest to Fashion Trend: Hanfu Clothing as a Rising Industry in China
    International Journal of Arts Management, 23(1), 79–89. (2020).

  • Strøm, H. A., Olsen, T. H., & Foss, L.
    Tensions for Cultural Entrepreneurs Managing Continuous Innovation: A Systematic Literature Review.
    International Journal of Arts Management, 23(1), 61–78. (2020).

  • Perron-Brault, A., Dantas, D.,Legoux, R.
    Customer Engagement and New Product Adoption in the Music Industry: The Importance of Fit Between Brand and New Product Innovativeness.
    International Journal of Arts Management, 23(1), 44 60.(2020).

  • Cancellieri, G.
    How Status Affects the Unconventionality of Opera Repertoires: Conflicting Criteria for Status Distinction, Aesthetic Conventionality and Repertoire Nonconformity in Italian Opera
    International Journal of Arts Management, 23(1), 27 43. (2020).

  • Kottasz, R., Bennett, R.
    Post-Series Depression: Mediating the Relationship Between Screen Fandom and Abnormal Consumption of Screen-Related Products
    International Journal of Arts Management, 23(1), 15 26. (2020).

  • Boutinot, A., Delacour, H.
    The Progressive Structuration and Boundary Setting of the Creative
    International Journal of Arts Management, 23(1), 4 ;14. (2020).

ISSUE 2

  • Gombault, A.
    Notre-Dame Is Burning: Learning From the Crisis of a Superstar Religious Monument.
    International Journal of Arts Management, 22(2), 83 94. (2020).

  • Vecco, M., Srakar, A.
    Direct, Indirect and Cross-Lagged: The Effects of Cultural Policy on Nascent Cultural Entrepreneurship.
    International Journal of Arts Management, 22(2), 66 82. (2020).

  • Hellen, M., Lengfeld, C., Konrad, E. D.
    Business Success for Creative and Cultural Entrepreneurs: Influences of Individual- and Firm-Related Factors on Revenue and Satisfaction.
    International Journal of Arts Management, 22(2), 52 65. (2020).

  • Dallaire, G.
    The Figure of the Cultural Entrepreneur: A Political Construct.
    International Journal of Arts Management, 22(2), 39 51.(2020).

  • Charles-Pauvers, B., Saives, A.-L., Schieb-Bienfait, N.
    Managing the Work Commitment of SOHO Creative Workers Located in the Same Quarter: A Place-Based Approach.
    International Journal of Arts Management, 22(2), 24 38.(2020).

  • Bhansing, P. V., Yosha Wijngaarden, Hitters, E.
    Identity Work In the Context of Co-located Creative Entrepreneurs: How Place Influences Professional Identity.
    International Journal of Arts Management, 22(2), 7 23.(2020).

ISSUE 3

  • Roederer, C., Revat, R., Pallud, J.
    Does Digital Mediation Really Change the Museum Experience? Museomix in the Lyon-Fourvire Archaeological Museum
    International Journal of Arts Management, 22(3), 108 123. (2020).

  • Murphy, J., Ryan, A.
    So to Speak: A Discursive Approach to Understanding Liminality in Business-to-Arts Interactions.
    International Journal of Arts Management, 22(3), 94; 107 (2020).

  • Kilani, F. A., Abbes, I., Aouadi, M.
    The Relative Importance of Labelling a Craft Product: A Conjoint Analysis.
    International Journal of Arts Management, 22(3), 78 93. (2020).

  • Fogel, J., Criscione, K.
    Passing the Bechdel Test and the Influence of Internet and Social Media Advertising on Seeing a New Movie Release.
    International Journal of Arts Management, 22(3), 67 77. (2020).

  • Mas, S., Cedrola, E., Davino, C., Cohen-Cheminet, G.
    Multivariate Statistical Analysis of Artification Effect on Customer-Based Brand Equity in Luxury Brands.
    International Journal of Arts Management, 22(3), 55 66. (2020).

  • Piancatelli, C., Massi, M., Harrison, P.
    Has Art Lost Its Aura? How Reintermediation and Decoupling Have Changed the Rules of the Art Game: The Case of Artvisor.
    International Journal of Arts Management, 22(3), 34 54. (2020).

  • Poisson-de Haro, S., Normandin, F.
    Transitions in the Life Cycle of Cultural Organizations: The Cases of Four Montreal-Based Organizations.
    International Journal of Arts Management, 22(3), 17 33. (2020).

  • Cuyler, A. C., Durrer, V., Nisbett, M.
    Steadfastly White, Female, Hetero and Able-Bodied: An International Survey on the Motivations and Experiences of Arts Management Graduates.
    International Journal of Arts Management, 22(3), 5 16. (2020).

2019

VOL 21

ISSUE 2

  • Courchesne, A., Ravanas, P., Pulido, C.
    Using Technology to Optimize Customer Relationship Management: The Case of Cirque du Soleil.
    International Journal of Arts Management, 21(2), 83 93.(2019).

  • Aurier, P., Guintcheva, G., Passebois-Ducros, J.
    The Decision to Purchase a Bundled Cultural Pass: The Role of Pre-existing Attitudinal and Behavioural Relationships With One Network Member
    International Journal of Arts Management, 21(2), 70 82.(2019).

  • Gürel, E., & Nielsen, A.
    Art Museum Visitor Segments: Evidence From Italy on Omnivores and Highbrow Univores.
    International Journal of Arts Management, 21(2), 55–69. (2019).

  • Rajaobelina, L., Dusseault, P., Ricard, L.
    The Mediating Role of Place Attachment in Experience and Word of Mouth: The Case of Music and Film Festivals.
    International Journal of Arts Management, 21(2), 43 54.(2019).

  • Bourgeon-Renault, D., Derbaix, M., Jarrier, Petr, C.
    Narrative Transportation and Transmedia Consumption Experience in the Cultural Field.
    International Journal of Arts Management, 21(2), 27 42.(2019).

  • Roederer, C., Revat, R.
    Experiential Staging in the Urban Space: Video Mapping of Places and Non-places.
    International Journal of Arts Management, 21(2), 15 26.(2019).

  • Colbert, F., Dantas, D. C.
    Customer Relationships in Arts Marketing: A Review of Key Dimensions in Delivery by Artistic and Cultural Organizations.
    International Journal of Arts Management, 21(2), 4 14(2019).

  • Rentschler, R.
    Stronger Than Steel: Forging a Rust Belt Renaissance.
    International Journal of Arts Management, 21(2), 103(2019).

ISSUE 3

  • Pérez-Salazar, M. del R., Aguilar-Lasserre, A. A., Cedillo-Campos, M. G., Juárez-Martínez, U. & Posada-Gómez, R.
    Processes and measurement of knowledge management in supply chains: an integrative systematic literature review.
    International International Journal of Production Research, 57(7), 2136–2159. (2019).

  • Rentschler, R.,Reid, W.
    Governance, Boards and Directors in the Arts and Cultural Sector: Perturbations, Change and Destabilization.
    International Journal of Arts Management,21(3), 82 83.(2019).

  • Lin Yi, Colbert, F. & Luo Huihui
    Operations Management and Strategic Positioning of the NCPA.
    International Journal of Arts Management, 21(3), 73 81.(2019).

  • Alcouffe, S., Amans, P., Assassi, I., & Oriot, F.
    French Budget Act (LOLF) Indicators as Seen Through the Lens of the National Drama Centres: A Case Study
    International Journal of Arts Management, 21(3), 57–72.(2019).

  • Bennett, R.
    Object Label Quality and Label Readership in Small Museums.
    International Journal of Arts Management, 21(3), 42 56.(2019).

  • Komarac, T., Ozretic-Dosen, D., Skare, V.
    The Role of the Museum Shop: Eliciting the Opinions of Museum Professionals.
    International Journal of Arts Management, 21(3), 28 41.(2019).

  • Maudonnet, D. L., Wood Jr., T., Bendassolli, P. F.
    From Know-How to Know-When: Strategies That Brazilian Musicians Use to Reorient Their Careers in the Face of Technological and Institutional Changes.
    International Journal of Arts Management, 21(3), 14 27.(2019).

  • Hennekam, S., Bennett, D., Macarthur, S., Hope, C., Goh, T.
    An International Perspective on Managing a Career as a Woman Composer.
    International Journal of Arts Management, 21(3), 4 13.(2019).

 

VOL 22

ISSUE 1

  • Manzoni, B. & Caporarello, L.
    The Paradoxes of “Teaming” in the Creative Events Industry: The Case of Balich Worldwide Shows.
    International Journal of Arts Management, 22(1), 86–98. (2019).

  • Sardais, C., Lortie, J. & Coblence, E.
    Inside the “Panacousticon”: How Orchestra Conductors Play With Discipline to Produce Art.
    International Journal of Arts Management, 22(1), 73–85. (2019).

  • Bomnüter, U. & Schulze, A.
    Governance of the German Film Industry: A Multilevel Analysis of State Aid Policy.
    International Journal of Arts Management, 22(1), 54–72.(2019).

  • Colucci, M. & Visentin, M.
    Continuity and Variety: The Allocation of Symbolic Rewards in Elite Italian Winemaking.
    International Journal of Arts Management, 22(1), 41–53. (2019).

  • Salvador, E., Simon, J.-P. & Benghozi, P.-J.
    Facing Disruption: The Cinema Value Chain in the Digital Age.
    International Journal of Arts Management, 22(1), 25–40. (2019).

  • Correia Loureiro, S. M., Roschk, H. & Lima, F.
    The Role of Background Music in Visitors Experience of Art Exhibitions: Music, Memory and Art Appraisal.
    International Journal of Arts Management, 22(1), 4 24. (2019).

  • Rentschler, R.
    The Rise of the Must-See Exhibition: Blockbusters in Australian Museums and Galleries.
    International Journal of Arts Management, 22(1), 101 102.(2019).

 

2018

VOL 21

ISSUE 1

  • Cancellieri, G., Turrini, A.
    How God and King Affect Our Music Tastes: Religiosity and Political Interest as Predictors of Omnivorousness.
    International Journal of Production Research, 21(1), 91 104. (2018).

  • Zanibellato, F., Rosin, U., Casarin, F.
    How the Attributes of a Museum Experience Influence Electronic Word-of-Mouth Valence: An Analysis of Online Museum Reviews.
    International Journal of Production Research, 21(1), 76 90.(2018).

  • Landry, P.
    A Matrix That Encompasses the Diversity of Successions in Cultural Organizations.
    International Journal of Production Research, 21(1), 61 75.(2018).

  • Velli, V., Sirakoulis, K.
    Performance Measurement in Non-profit Theatre Organizations: The Case of Greek Municipal and Regional Theatres.
    International Journal of Production Research, 21(1), 49 60.(2018).

  • Thibodeau, B. D., Rüling, C. C.
    Overcoming Project Inertia and Gaining Project Momentum: Strategic Adaptation in Cultural Facilities Planning.
    International Journal of Production Research, 21(1), 28 48.(2018).

  • Li-Min Lin, Yi Lin.
    Cost Disease in Consumption and Spectatorship Management: A Cross-Country Study of the Value Creation Mechanism in the Performing Arts.
    International Journal of Production Research, 21(1), 17 27.(2018).

  • Gombault, A., Allal-Chérif, O., Décamps, A., & Grellier, C
    ICT Adoption Behaviours of Heritage Organizations in South West Europe: Conservative, Pragmatist and Pioneering.
    International Journal of Production Research, 21(1), 4 16.(2018).

VOL 20

ISSUE 3

  • Gombault, A., Selles, D.
    Louvre Abu Dhabi: A Radical Innovation, But What Future for French Cultural Influence?
    International Journal of Production Research, 20(3), 83 94.(2018).

  • Yi Lin, Colbert, F.
    Chinese Opera and the International Market.
    International Journal of Production Research, 20(3), 75 82.(2018).

  • Martinez, C., Euzéby, F., Lallement, J.
    The Importance of the Venue in an Information Search: Online Ticket Purchase in the Performing Arts.
    International Journal of Production Research, 20(3), 60 74.(2018).

  • Tassi, P.
    Media: From the Contact Economy to the Attention Economy.
    International Journal of Production Research, 20(3), 49 59.(2018).

  • Morrow, G.
    Distributed Agility: Artist Co-management in the Music Attention Economy.
    International Journal of Production Research, 20(3), 38 48.(2018).

  • Besana, A., Bagnasco, A. M., Esposito, A., Calzolari, A.
    It’s a Matter of Attention: The Marketing of Theatres in the Age of Social Media.
    International Journal of Production Research, 20(3), 20 37.(2018).

  • Peltier, S., & Touré, M.
    Does the Web Diversify the Visibility of Books? Evidence From French Data.
    International Journal of Production Research, 20(3), 6 19.(2018).

  • Schieb-Bienfait, N., Saives, A.-L., Charles-Pauvers, B., Emin, , Sandrine, & Morteau, H.
    Grouping or Grounding? Cultural District and Creative Cluster Management in Nantes, France.
    International Journal of Production Research, 20(3), 71 84.(2018).

VOL 20

ISSUE 2

Dubini, P., Monti, A.
Board Composition and Organizational Performance in the Cultural Sector: The Case of Italian Opera Houses.
International Journal of Production Research, 20(2), 56 70.(2018).

  • Vecco, M., Srakar, A.
    De visitus non est disputandum: How Visitors to Public Museums Cluster Towards Deaccessioning.
    International Journal of Production Research, 20(2), 46 55.(2018).

  • Essig, L.
    Value Creation by and Evaluation of US Arts Incubators.
    International Journal of Production Research, 20(2), 32 45.(2018).

  • Loots, E., Cnossen, B., Van Witteloostuijn, A.
    Compete or Cooperate in the Creative Industries? A Quasi-experimental Study With Dutch Cultural and Creative Entrepreneurs.
    International Journal of Production Research, 20(2), 20 31.(2018).

  • Lee B., Fraser I., Fillis I.
    Creative Futures for New Contemporary Artists: Opportunities and Barriers.
    International Journal of Production Research, 20(2), 9 19.(2018).

  • Konrad, E. D., Moog, P., Rentschler, R.
    Special Issue: Cultural Entrepreneurship and the New Arts Management.
    International Journal of Production Research, 20(2), 3 5.(2018).

VOL 20

ISSUE 1

  • Boram Lee.
    What Matters? Talking Value in Australian Culture.
    International Journal of Production Research, 20(1), 106 109.(2018).

  • Chantepie P., Lafrance S., Beaumier E. L.
    Special Issue: Culture and Media: The Attention Challenge.
    International Journal of Production Research, 20(3), 4 5.(2018).

  • Bourgeon-Renault D., Filser M.
    EURAM Entrepreneurial Workshop: Entrepreneurship in the Cultural and Creative Industries.
    International Journal of Production Research, 20(1), 105.(2018).

  • Rentschler R.
    Stronger Than Steel: Forging a Rust Belt Renaissance.
    International Journal of Production Research, 20(1), 103.(2018).

2017

VOL 20

ISSUE 1

  • Wiggins J., Song C., Trivedi D., Preece S. B.
    Consumer Perceptions of Arts Organizations Strategies for Responding to Online Reviews.
    International Journal of Production Research, 20(1), 4 20. (2017).

  • Obaidalahe Z., Salerno F., Colbert F.
    Overall Evaluation of a Multi-experience Cultural Service, Tolerance for Disappointment, and Sustainable Loyalty.
    International Journal of Production Research, 20(1), 21 30. (2017).

  • Kolhede E., Gomez-Arias J. T.
    Distinctions Between Frequent Performing Arts Consumers: Implications for Segmentation and Positioning.
    International Journal of Production Research, 20(1), 31 53. (2017).

  • Manzoni B., Caporarello L.
    Managing Creative Firms by Adopting a Paradox Framework: The Case of Studio Libeskind.
    International Journal of Production Research, 20(1), 54 62 (2017).

  • Bhansing P. V., Leenders M. A. A. M., Wijnberg N. M.
    Scheduled Audience Capacity for Performing Arts Productions: The Role of Product Innovativeness and Organizational Legitimacy.
    International Journal of Production Research, 20(1), 63 77 (2017).

  • Courchesne A., Ravanas P., Pulido, C.
    Company Profile: Doing Well by Doing Good: Les Grands Ballets Canadiens de Montréal Offers Dance Therapy as a Strategic Initiative.
    International Journal of Production Research, 20(1), 78 83 (2017).

VOL 19

ISSUE 3

  • Miquel-Romero M.-J., Montoro-Pons J. D.
    Consumption Habits, Perception and Positioning of Content-Access Devices in Recorded Music.
    International Journal of Production Research, 19(3), 4 18.(2017).

  • Fernández-Blanco V., Prieto-Rodríguez J., Suarez-Pandiello J.
    A Quantitative Analysis of Reading Habits in Spain.
    International Journal of Production Research, 19(3), 19 32.(2017).

  • Hernando E., Campo S.
    An Artist’s Perceived Value: Development of a Measurement Scale.
    International Journal of Production Research, 19(3), 33 47 (2017).

  • Hernando E., Campo S.
    An Artist’s Perceived Value: Development of a Measurement Scale.
    International Journal of Production Research, 19(3), 33 47 (2017).

  • González F. J. G., Mendizábal G. A., De Domingo Sanz L.
    Share of Local Programming in Spanish Public Theatres.
    International Journal of Production Research, 19(3), 48 57.(2017).

  • Palma L., Palma M. L., Rodríguez A., Martín J. L., Cascajo I.
    Live Flamenco in Spain: A Dynamic Analysis of Supply With Managerial Implications.
    International Journal of Production Research, 19(3), 58 70.(2017).

  • Cuadrado-García M.
    Company Profile: Teatro Olympia: A Family-Run Venue Entering a New Century.
    International Journal of Production Research, 19(3), 71 78.(2017).

VOL 19

ISSUE 2

  • Guillon, O.
    Do Employees in the Cultural Sector Adhere More Strongly to Their Organization’s Goals Than Employees in Other Sectors?
    International Journal of Production Research, 19(2), 4 13.(2017).

  • Vakharia, N. K., Janardhan, D.
    Knowledge-Centric Arts Organizations: Connecting Practice to Performance.
    International Journal of Production Research, 19(2), 14 31.(2017).

  • Carù A., Ostillio M. C., Leone G.
    Corporate Museums to Enhance Brand Authenticity in Luxury Goods Companies: The Case of Salvatore Ferragamo.
    International Journal of Production Research, 19(2), 32 45.(2017).

  • Hernando, E., Campo, S.
    Does the Artist’s Name Influence the Perceived Value of an Art Work?
    International Journal of Production Research, 19(2), 46 58.(2017).

  • Ross I.
    Arts Management the Indian Way: Bangalore’s Ranga Shankara Theatre.
    International Journal of Production Research, 19(2), 59 68. (2017)

2016

VOL 19

ISSUE 1

  • Loveland, J. M., Loveland, K. E., Lounsbury, J. W., Dantas, D. C.
    A Portrait of the Artist as an Employee: The Impact of Personality on Career Satisfaction.
    International Journal of Production Research, 19(1), 4 15. (2016).

  • Parmentier, G., & Picq, T.
    Managing Creative Teams in Small Ambidextrous Organizations: The Case of Videogames.
    International Journal of Production Research, 19(1), 16 30.(2016).

  • Hennekam, S., Bennett, D.
    Self-Management of Work in the Creative Industries in the Netherlands.
    International Journal of Production Research, 19(1), 31 41.(2016).

  • Arboleda, A. M., Gonzalez, J. F.
    Creating a Competitive Advantage: The Exoticism of Tango and Salsa From Cali, Colombia.
    International Journal of Production Research, 19(1), 42 53.(2016).

  • Baumgarth, C., Kaluza, M., Lohrisch, N.
    Brand Audit for Cultural Institutions (BAC): A Validated and Holistic Brand Controlling Tool.
    International Journal of Production Research, 19(1), 54 68.(2016).

  • Hand, C., Riley, F. D.
    Audience Behaviour or Buyer Behaviour: What Can Models of Brand Buying Behaviour Say About Arts Audiences?
    International Journal of Production Research, 19(1), 69 82.(2016).

  • Massé, D.
    Company Profile: The Tricks of Artistic Training: Learning From Bartabas’s Academy of Equestrian Arts.
    International Journal of Production Research, 19(1), 83 92.(2016).

  • Sulaiman, D., Rogers, L.
    Copyrighting Creativity: Creative Values, Cultural Heritage Institutions and Systems of Intellectual Property.
    International Journal of Production Research, 19(1), 93 94. (2016).

VOL 18

ISSUE 3

  • Dantas, D. C., Colbert, F.
    Festival de Lanaudière: Differentiation in Customer Experience
    International Journal of Production Research, 18(3), 79 85.(2016).

  • Johansson, T., & Jyrämä, A.
    Network of Organizational Identities in the Formation of a Cultural Joint Venture: A Case Study of the Helsinki Music Centre.
    International Journal of Production Research, 18(3), 67 78.(2016).

  • Luonila, M., & Johansson, T.
    Reasons for Networking in Institutionalized Music Productions: Case Studies of an Opera House and a Music Festival.
    International Journal of Production Research, 18(3), 50 66.(2016).

  • Capelli, S., Fayolle, L., Sabadie, W.
    When Placement Becomes Collaborative Branded Entertainment: The Case of Music Concerts.
    International Journal of Production Research, 18(3), 37 49.(2016).

  • Cancellieri, G.,Turrini, A.
    The Phantom of Modern Opera: How Economics and Politics Affect the Programming Strategies of Opera Houses.
    International Journal of Production Research, 18(3), 25 36.(2016).

  • Montoro-Pons, J. D., & Cuadrado-García, M.
    Unveiling Latent Demand in the Cultural Industries: An Application to Live Music Participation.
    International Journal of Production Research, 18(3), 5 24.(2016).

VOL 18

ISSUE 2

  • Sinkovich, J., Brindisi, J.
    The Art, Influence and Business of Satire: Peeling Back the Layers of The Onion.
    International Journal of Production Research, 18(2), 75 85.(2016).

  • Schnugg, C., Lehner, J.
    Communicating Identity or Status? A Media Analysis of Art Works Visible in Photographic Portraits of Business Executives.
    International Journal of Production Research, 18(2), 63 74.(2016).

  • Camarero, C., Garrido, M. J., & José, R. S.
    Efficiency of Web Communication Strategies: The Case of Art Museums.
    International Journal of Production Research, 18(2), 42 62.(2016).

  • Gandia, R., Brion, S.
    How to Avoid Dependence in the Videogame Industry: The Case of Ankama.
    International Journal of Production Research, 18(2), 26 41.(2016).

  • Galbraith, C. S., Clark, L. S., Benitez-Galbraith, J.
    Mural Art at a Business School: The Impact of Viewers’ Personal Economic Philosophy on Evoked Emotions, Cognitive Responses and Narrative Recognition.
    International Journal of Production Research, 18(2), 14 25(2016).

  • Larceneux, F., Caro, F., Krebs, A.
    The Reaction of Visitors to Contemporary Art in a Classical Art Institution: A Louvre Museum Case Study.
    International Journal of Production Research, 18(2), 4 13.(2016).

  • Rentschler, R.
    Philanthropy and the Arts.
    International Journal of Production Research, 18(2), 86 87.(2016).

  • Farrell, H. J.
    Arts Governance: People, Passion, Performance.
    International Journal of Production Research, 18(2), 88. (2016).

VOL 18

ISSUE 3

  • Courchesne, A.
    Classical and Popular Music: Current Trends and Issues in Challenging Times.
    International Journal of Production Research, 18(3), 3. (2016).

  • Rentschler, R.
    Building Better Arts Facilities: Lessons From a U.S. National Study.
    International Journal of Production Research, 18(3), 86 87.(2016).

2015

VOL 18

ISSUE 1

  • Bouder-Pailler, D.
    Cultural Audiences and Populations: New Challenges in the Realms of Creation and Participation.
    International Journal of Production Research, 18(1), 3 4.(2015).

  • Courchesne, A., Ravanas, P.
    How to Engage Audiences With Increasingly Eclectic Tastes: The Experience of TOHU, a Montreal Circus Arts Presenter.
    International Journal of Production Research, 18(1), 78 87(2015).

  • Bouder-Pailler, D., & Urbain, C.
    How Do the Underprivileged Access Culture?
    International Journal of Production Research, 18(1), 65 77.(2015).

  • De Miguel De Blas, M., Bourgeon-Renault, D., Jarrier, E.
    Can Interactive Mediation Tools Bridge the Identity Gap Between the Public and the Art Museum?
    International Journal of Production Research, 18(1), 52 64.(2015).

  • Pulh, M., Mencarelli, R.
    Web 2.0: Is the Museum-Visitor Relationship Being Redefined?
    International Journal of Production Research, 18(1), 43 51.(2015).

  • Anberrée, A., Aubouin, N., Coblence, E., & Kletz, F.
    Audience Participation in Cultural Projects: Bringing the Organization Back In.
    International Journal of Production Research, 18(1), 29 42.(2015).

  • Jancovich, L.
    Breaking Down the Fourth Wall in Arts Management: The Implications of Engaging Users in Decision-Making.
    International Journal of Production Research, 18(1), 14 28.(2015).

  • Hyunjoo Lee
    Interactive Design and Community Participation: The Case of Mullae Art Village.
    International Journal of Production Research, 18(1), 5 13.(2015).

VOL 17

ISSUE 3

  • Bogdan, J., Ravanas, P.
    The Second City Is First in Creative Entrepreneurship
    International Journal of Production Research, 17(3), 80 89.(2015).

  • Cuyler, A. C., Hodges, A. R.
    From the Student Side of the Ivory Tower: An Empirical Study of Student Expectations of Internships in Arts and Cultural Management.
    International Journal of Production Research, 17(3), 68 79.(2015).

  • Kirchner, T. A., Rentschler, R.
    External Impact of Arts Management Research: An Extended Analysis.
    International Journal of Production Research, 17(3), 46 67.(2015).

  • Krebs, A., Rieunier, S., Urien, B.
    Generativity: Its Role, Dimensions and Impact on Cultural Organizations in France.
    International Journal of Production Research, 17(3), 28 45. (2015).

  • Järvinen, M., Ansio, H., & Houni, P.
    New Variations of Dual Leadership: Insights From Finnish Theatre.
    International Journal of Production Research, 17(3), 16 ;27. (2015).

  • Bergadaà, M., & Lorey, T.
    Preservation of Living Cultural Heritage: The Case of Basque Choirs and Their Audience.
    International Journal of Production Research, 17(3), 4 15.(2015).

VOL 17

ISSUE 2

  • Larouche, V. S.-J., Brunet, J.
    Excel Entertainment: A Reflection of Contemporary Bollywood.
    International Journal of Production Research, 17(2), 64 74.(2015).

  • Escoffier, N., McKelvey, B.
    The Wisdom of Crowds in the Movie Industry: Towards New Solutions to Reduce Uncertainties.
    International Journal of Production Research, 17(2), 52 63.(2015).

  • Ghariani, G., Touzani, M., Creton, L.
    Exploration of the Concept of Cinephilia in the Context of an Emerging Country: The Case of Tunisia.
    International Journal of Production Research, 17(2), 33 51.(2015).

  • Sang-Hyun Nam, Byeng-Hee Chang, Joo-Yeun Park.
    The Potential Effect of VOD on the Sequential Process of Theatrical Movies.
    International Journal of Production Research, 17(2), 19 32.(2015).

  • Aurier, P., Guintcheva, G.
    The Dynamics of Emotions in Movie Consumption: A Spectator-Centred Approach.
    International Journal of Production Research, 17(2), 5 18.(2015).

  • Larouche, V. S.-J., Brunet, J.
    A Reflection of Contemporary Bollywood.
    International Journal of Production Research, 17(2), 87 88.(2015).

  • Escoffier, N., McKelvey, B.
    The Wisdom of Crowds in the Movie Industry: Towards New Solutions to Reduce Uncertainties.
    International Journal of Production Research, 17(2), 85 86.(2015).

  • Ghariani, G., Touzani, M., & Creton, L.
    Exploration of the Concept of Cinephilia in the Context of an Emerging Country: The Case of Tunisia.
    International Journal of Production Research, 17(2), 83 84.(2015).

  • Sang-Hyun Nam, Byeng-Hee Chang, Joo-Yeun Park.
    The Potential Effect of VOD on the Sequential Process of Theatrical Movies.
    International Journal of Production Research, 17(2), 81 82.(2015).

  • Aurier, P., & Guintcheva, G.
    The Dynamics of Emotions in Movie Consumption: A Spectator-Centred Approach.
    International Journal of Production Research, 17(2), 79 80.(2015).

  • Bouder-Pailler, D.
    The Worldwide Film Industry: Issues and Challenges.
    International Journal of Production Research, 17(2), 3.(2015).

  • Rentschler, R.
    Art as an Investment? A Survey of Comparative Assets.
    International Journal of Production Research, 17(2), 77 78.(2015).

  • Kershaw, A.
    Museums in the Digital Age: Changing Meanings of Place, Community and Culture.
    International Journal of Production Research, 17(2), 75 76.(2015).

2014

VOL 17

ISSUE 1

  • Fernandes A., Afonso L. U.
    Joana Vasconcelos: Managing an Artist’s Studio in the 21st Century.
    International Journal of Production Research, 17(1), 54 64.(2014).

  • Stockenstrand A.-K., Ander O.
    Arts Funding and Its Effects on Strategy, Management and Learning.
    International Journal of Production Research, 17(1), 43 53.(2014).

  • Urrutiaguer D.
    Programming Strategies and Demand in the Performing Arts: The Case of the Forum in Le Blanc-Mesnil, France.
    International Journal of Production Research, 17(1), 31 42.(2014).

  • Pusa S., Uusitalo L.
    Creating Brand Identity in Art Museums: A Case Study.
    International Journal of Production Research, 17(1), 18 30.(2014).

  • Tröndle M.
    Space, Movement and Attention: Affordances of the Museum Environment.
    International Journal of Production Research, 17(1), 4 17(2014).

  • MacNeill K.
    Narrative, Identity and the Map of Cultural Policy: Once Upon a Time in a Globalized World.
    International Journal of Production Research, 17(1), 65 67.(2014).

  • Wymer W.
    The Routledge Companion to Arts Marketing.
    International Journal of Production Research, 17(1), 70 71.(2014).

  • McDonald I.
    Visual Arts and the Law: A Handbook for Professionals.
    International Journal of Production Research, 17(1), 68 69.(2014).

VOL 16

ISSUE 3

  • Cyr C.
    Montréal: A Flair for Creativity.
    International Journal of Production Research, 16(3), 60 70.(2014).

  • Gateau T.
    The Role of Open Licences and Free Music in Value Co-creation: The Case of Misteur Valaire.
    International Journal of Production Research, 16(3), 49 59.(2014).

  • Boeuf B., Darveau J., Legoux R.
    Financing Creativity: Crowdfunding as a New Approach for Theatre Projects.
    International Journal of Production Research, 16(3), 33 48(2014).

  • Buisson F.
    How Do Investors Communicate With Innovators Such as “Geeks”? A Case Study of HackFwd.
    International Journal of Production Research, 16(3), 20 32 (2014).

  • Benghozi P.-J., Lyubareva I.
    When Organizations in the Cultural Industries Seek New Business Models: A Case Study of the French Online Press.
    International Journal of Production Research, 16(3), 6 19. (2014).

  • Rentschler R. L. Bernard
    The Man the Art World Forgot.
    International Journal of Production Research, 16(3), 73 74.(2014).

  • Kershaw A.
    Museums and Public Value: Creating Sustainable Futures.
    International Journal of Production Research, 16(3), 71 72 (2014).

  • Cohendet P., Simon L.
    Financing Creativity: New Issues and New Approaches.
    International Journal of Production Research, 16(3), 3 5. (2014).

VOL 16

ISSUE 2

  • Inversini M., Manzoni B., Salvemini S.
    Daniel Boulud: The Making of a Successful Creative Individual Business Model.
    International Journal of Production Research, 16(2), 55 63. (2014).

  • Paris T., Leroy F.
    Managing Transition in an Artistic Company With Entrepreneurial Management: A Case Study of Groupe Bernard Loiseau.
    International Journal of Production Research, 16(2), 42 54. (2014).

  • Slavich B., Cappetta R., Salvemini S.
    Creativity and the Reproduction of Cultural Products: The Experience of Italian Haute Cuisine Chefs.
    International Journal of Production Research, 16(2), 29 41. (2014).

  • Hyejung Yoon, Hyung-Deok Shin.
    Determinants of the Number of Artworks in Corporate Art Collections.
    International Journal of Production Research, 16(2), 19 28.(2014).

  • Balloffet P., Courvoisier F. H., Lagier J.
    From Museum to Amusement Park: The Opportunities and Risks of Edutainment.
    International Journal of Production Research, 16(2), 4 18. (2014).

  • Rentschler R., Saintilan P.
    Music, Markets and Consumption.
    International Journal of Production Research, 16(2), 64 65 (2014).

 

2013

VOL 16

ISSUE 1

  • Snowball J. D.
    Are Arts Events a Good Way of Augmenting the Economic Impact of Sport? The Case of the 2010 FIFA World Cup and the National Arts Festival in South Africa.
    International Journal of Production Research, 16(1), 49 61. (2013).

  • Kemp E., White M. G.
    Embracing Jazz: Exploring Audience Participation in Jazz Music in Its Birthplace.
    International Journal of Production Research, 16(1), 35 48. (2013).

  • Badia F., Donato F.
    Performance Measurement at World Heritage Sites: Per Aspera ad Astra.
    International Journal of Production Research, 16(1), 20 34.(2013).

  • Scapolan A., Montanari F.
    How to Attract and Retain Artistic Talent: The Case of an Italian Ballet Company.
    International Journal of Production Research, 16(1), 4 19.(2013).

  • Poisson-de Haro S., Normandin F., Coblence E.
    The Montreal Museum of Fine Arts: Balancing International Reach and Strong Local Roots.
    International Journal of Production Research, 16(1), 62 75.(2013).

VOL 15

ISSUE 3

  • Thurner T. W.
    Searching for Relevance: Survival Strategies of Museums During Times of Political Uncertainty in South Africa.
    International Journal of Production Research, 15(3), 65 71.(2013).

  • Plaza B., Haarich S. N., Waldron C. M.
    Picasso's Guernica: The Strength of an Art Brand in Destination e-Branding.
    International Journal of Production Research, 15(3), 53 64.(2013).

  • Germain-Thomas P.
    The Subsidized Contemporary Dance Market in France: Creation at All Costs.
    International Journal of Production Research, 15(3), 39 52.(2013).

  • Bennett R., Kottasz R.
    Attractiveness of Limited Edition Artwork for First-Generation Newly Affluent Consumers.
    International Journal of Production Research, 15(3), 21 38.(2013).

  • Hennig-Thurau T., Fuchs S., Houston M. B.
    What's a Movie Worth? Determining the Monetary Value of Motion Pictures’ TV Rights.
    International Journal of Production Research, 15(3), 4 20.(2013).

VOL 15

ISSUE 2

  • Sinkovich J., Ravanas P., Brindisi J.
    Pitchfork: Birth of an Indie Music Mega-brand.
    International Journal of Production Research, 15(2), 73 81.(2013).

  • Bertacchini E., Morando F.
    The Future of Museums in the Digital Age: New Models for Access to and Use of Digital Collections.
    International Journal of Production Research, 15(2), 60 72.(2013).

  • Lê P. L., Massé D., Paris T.
    Technological Change at the Heart of the Creative Process: Insights From the Videogame Industry.
    International Journal of Production Research, 15(2), 45 59.(2013).

  • Gandia R.
    The Digital Revolution and Convergence in the Videogame and Animation Industries: Effects on the Strategic Organization of the Innovation Process.
    International Journal of Production Research, 15(2), 32 44.(2013).

  • Moreau F.
    The Disruptive Nature of Digitization: The Case of the Recorded Music Industry.
    International Journal of Production Research, 15(2), 18 31. (2013).

  • Dumoulin R., Gauzente C.
    The Solid Body Guitar in the Digital Era: How Persistent Myths Influence Musicians’ Evaluation Criteria.
    International Journal of Production Research, 15(2), 4 16.(2013).

  • Turbide J.
    Artistic and Technological Innovation: A Complex Relationship.
    International Journal of Production Research, 15(2), 3. (2013).

2012

VOL 15

ISSUE 1

  • Guintcheva G., Passebois-Ducros J.
    Lille Metropolitan Art Programme: Museum Networking in Northern France.
    International Journal of Production Research, 15(1), 54 64.(2012).

  • Chaney D.
    The Music Industry in the Digital Age: Consumer Participation in Value Creation.
    International Journal of Production Research, 15(1), 42 52.(2012).

  • Uusitalo L., Simola J., Kuisma J.
    Consumer Perception of Abstract and Representational Visual Art.
    International Journal of Production Research, 15(1), 30 41.(2012).

  • Jarrier E., Bourgeon-Renault D.
    Impact of Mediation Devices on the Museum Visit Experience and on Visitors’ Behavioural Intentions.
    International Journal of Production Research, 15(1), 18 29.(2012).

  • Arnaud C., Soldo E., Keramidas O.
    Renewal of Territorial Governance Through Cultural Events: Case Study of the Picasso-Aix 2009 Cultural Season.
    International Journal of Production Research, 15(1), 4 17. (2012).

VOL 14

ISSUE 3

  • Ruiz-Gutiérrez J., & Zúñiga-Salas V.
    The Bank of the Republic and Cultural Management: A Process of Organizational Learning.
    International Journal of Production Research, 14(3), 57 66. (2012).

  • Moureau N., Sagot-Duvauroux D.
    Four Business Models in Contemporary Art.
    International Journal of Production Research, 14(3), 44 56 (2012).

  • Hausmann A.
    The Importance of Word of Mouth for Museums: An Analytical Framework.
    International Journal of Production Research, 14(3), 32 43. (2012).

  • Poisson-de Haro S., Montpetit D.
    Surviving in Times of Turmoil: Adaptation of the Théâtre Les Deux Mondes Business Model.
    International Journal of Production Research, 14(3), 16 31. (2012).

  • Abfalter D., Stadler R., Müller J.
    The Organization of Knowledge Sharing at the Colorado Music Festival.
    International Journal of Production Research, 14(3), 4 15 (2012).

VOL 14

ISSUE 2

  • Blandford R.
    Make No Little Plans: The Modern Wing of the Art Institute of Chicago.
    International Journal of Production Research, 14(2), 57 67. (2012).

  • Filice M., Young S.
    From Mainstage to Movies to Media: Sustaining the Live and Performing Arts Through Artistic Convergence and the Balaban and Katz Philosophy of Continuous Performance.
    International Journal of Production Research, 14(2), 48 56.(2012).

  • Zorloni A.
    Designing a Strategic Framework to Assess Museum Activities.
    International Journal of Production Research, 14(2), 31 47.(2012).

  • Cartier, M., Liarte, S.
    Impact of Underlying Demand and Agglomeration of Supply on Seasonality: The Case of the Hollywood Film Industry.
    International Journal of Production Research, 14(2), 17 30.(2012).

  • Turbide J.
    Can Good Governance Prevent Financial Crises in Arts Organizations?
    International Journal of Production Research, 14(2), 4 16.(2012).

  • Demetrious K.
    Marketing and Public Relations for Museums, Galleries, Cultural and Heritage Attractions.
    International Journal of Production Research, 14(2), 68 69.(2012).

2011

VOL 14

ISSUE 2

  • Filice M., Young S.
    From Mainstage to Movies to Media: Sustaining the Live and Performing Arts Through Artistic Convergence and the Balaban and Katz Philosophy of Continuous Performance.
     International Journal of Arts Management, 14(2), 48–56.

  • Zorloni A.
    Designing a Strategic Framework to Assess Museum Activities.
    International Journal of Arts Management, 14(2), 31–47.

  • Cartier M., Liarte S.
    Impact of Underlying Demand and Agglomeration of Supply on Seasonality: The Case of the Hollywood Film Industry. 
    International Journal of Arts Management, 14(2), 17–30.

  • Turbide J.
    Can Good Governance Prevent Financial Crises in Arts Organizations? 
    International Journal of Arts Management, 14(2), 4–16.

  • Blandford R.
    Make No Little Plans: The Modern Wing of the Art Institute of Chicago.
    International Journal of Arts Management, 14(2), 57–67.

  • Demetrious K.
    Marketing and Public Relations for Museums, Galleries, Cultural and Heritage Attractions.
    International Journal of Production Research, 14(2), 68 69.

VOL 14

ISSUE 1

  • D’Astous, A., & Berrada, C.
    Communication Strategies to Enhance the Effectiveness of Product Placement in Movies: The Case of Comparative Appeal.
    International Journal of Production Research, 14(1), 45 55.(2011).

  • Guillon, O.
    Loyalty Behaviours and Segmentation of Performing Arts Audiences: The Case of Théâtre de I’Athénée in Paris.
    International Journal of Production Research, 14(1), 32 44.(2011).

  • Preece, S. B., Wiggins Johnson, J.
    Web Strategies and the Performing Arts: A Solution to Difficult Brands.
    International Journal of Production Research, 14(1), 19 31.

  • Sorjonen, H.
    The Manifestation of Market Orientation and Its Antecedents in the Program Planning of Arts Organizations.
    International Journal of Production Research, 14(1), 4 18.

  • Márquez-Farias Z., Lapierre L.
    Gabriel García Márquez and the Foundation for a New Ibero-American Journalism.
    International Journal of Production Research, 14(1), 56 71.

VOL 13

ISSUE 3

  • Pérez-Cabañero C., Cuadrado-García M.
    Evolution of Arts and Cultural Management Research Over the First Ten AIMAC Conferences (1991-2009).
    International Journal of Production Research, 13(3), 56 68.

  • Bertacchini, E., Santagata, W., & Signorello, G.
    Individual Giving to Support Cultural Heritage. International Journal of Arts Management.
    International Journal of Production Research, 13(3), 41 55.

  • Kushner, R. J., Cohen, R.
    Measuring National-Level Cultural Capacity With the National Arts Index.
    International Journal of Production Research, 13(3), 20 40.

  • Lindenberg, M., Oosterlinck, K.
    Art Collections as a Strategy Tool: A Typology Based on the Belgian Financial Sector.
    International Journal of Production Research, 13(3), 4 19.

  • St. James, Y., Colbert, F.
    Staging Magic: Forty Years of Product Management at Théâtre Sans Fil.
    International Journal of Arts Management, 13(3), 69–78.

VOL 13

ISSUE 2

  • Landry, P.
    A Conceptual Framework for Studying Succession in Artistic and Administrative Leadership in the Cultural Sector.
    International Journal of Production Research, 13(2), 44 58.

  • Maher, J. K., Clark, J., Motley, D. G.
    Measuring Museum Service Quality in Relationship to Visitor Membership: The Case of a Children
    International Journal of Production Research, 13(2), 29 42.

  • Antonella Carù, & Cova, B.
    Can the Generation Gap Impede Immersion in an Exhibition? The Case of Annisettanta (The 1970s).
    International Journal of Production Research, 13(2), 16 28.

  • Johnson, J. W., Ellis, B.
    The Influence of Messages and Benefits on Donors’ Attributed Motivations: Findings of a Study With 14 American Performing Arts Presenters.
    International Journal of Production Research, 13(2), 4 15

  • Johnson, J. W., & Ellis, B.
    The Influence of Messages and Benefits on Donors’ Attributed Motivations: Findings of a Study With 14 American Performing Arts Presenters.
    International Journal of Production Research, 13(2), 4 15

  • Rentschler, R., Bridson, K., Evans, J
    Portrait of a Star: National Gallery of Victoria.
    International Journal of Production Research, 13(2), 59 67.

2010

VOL 13

ISSUE 1

  • Legoux R., St-James Y.
    A Taste of What's to Come: The Appetitive Value of Sequential Product Launches.
    International Journal of Production Research, 13(1), 4 11.(2010).

  • Paulus O.
    Auseums as Serigraphs or Unique Masterpieces: Do American Art Museums Display Differentiation in Their Mission Statements?
    International Journal of Production Research, 13(1), 12 28 (2010).

  • Dubois S.
    Paradox in the Worlds of Art: Socio-economic Stability and Organizational Multiplicity.
    International Journal of Production Research, 13(1), 30 40.(2010).

  • Taormina R. J.
    The Art of Leadership: An Evolutionary Perspective.
    International Journal of Production Research, 13(1), 41 55.(2010).

  • Poisson-de Haro S., Normandin F.
    Company Profile: Orchestre Symphonique de Montréal: Getting Back in the Limelight.
    International Journal of Production Research, 13(1), 56 1.(2010).

VOL 12

ISSUE 3

  • Youker B. W.
    The Logic of Evaluation and Not-for-Profit Arts Organizations: The Perspective of an Evaluation Consultant.
    International Journal of Production Research, 12(3), 4 12.(2010).

  • Daigle P., Rouleau L.
    Strategic Plans in Arts Organizations: A Tool of Compromise Between Artistic and Managerial Values.
    International Journal of Production Research, 12(3), 13 30.(2010).

  • Weinstein L.
    The Design, Implementation and Management of Social Alliances for Arts- and Culture-Oriented Organizations.
    International Journal of Production Research, 12(3), 31 42.(2010).

  • Benghozi P.-J., Benhamou F.
    The Long Tail: Myth or Reality?
    International Journal of Production Research, 12(3), 43 53.(2010).

  • Raajpoot N., Koh K., Jackson A.
    Developing a Scale to Measure Service Quality: An Exploratory Study.
    International Journal of Production Research, 12(3), 54 69.(2010).

  • Ravanas P., Colletti P.
    Company Profile: A Ticket to Wonderland: Lookingglass Theatre Weathers the Recession With Clever Pricing.
    International Journal of Production Research, 12(3), 70 79.(2010).

VOL 12

ISSUE 2

  • Cappetta R., Manzoni B., Salvemini S.
    Value Drivers for Cultural Events: Empirical Evidence From Italy
    International Journal of Production Research, 12(2), 4 16.(2010).

  • Hausmann A.
    German Artists Between Bohemian Idealism and Entrepreneurial Dynamics: Reflections on Cultural Entrepreneurship and the Need for Start-Up Management
    International Journal of Production Research, 12(2), 17 29.(2010).

  • De Carlo M., Dubini P.
    Integrating Heritage Management and Tourism at Italian Cultural Destinations.
    International Journal of Production Research,12(2), 30 3.(2010).

  • Chaney D.
    What Future for Fan-Funded Labels in the Music Recording Industry? The Cases of MyMajorCompany and ArtistShare.
    International Journal of Production Research,12(2), 44 48.(2010).

  • Preece S. B.
    Building an Arts-Business Partnership: The Case of Aeroplan and Tapestry New Opera.
    International Journal of Production Research, 12(2), 49 58.(2010).

  • Assassi I.
    Company Profile: The Triple Challenge of La Folle Journée de Nantes, or How to Make a Success of Folly.
    International Journal of Production Research, 12(2), 59 71(2010).